All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. His parents had always treated him barbarously; she preferred not to see them again, and they made no advances, either from forgetfulness or out of innate hardness.!

“drop anchor anywhere and the anchor will drag—that is, if your soul is a limitless, fathomless sea, and not dog-pound,” he quoted to me, then added: “You see, my anchor is always dragging. I live for human health and progress, and I strive to drag my anchor always in that direction. To me, the two are identical. Dragging anchor is what has saved me. My anchor did not hold me to my death-bed. I dragged anchor into the brush and fooled the doctors. When I recovered health and strength, I started, by preaching and by example, to teach the people to become nature men and nature women. But they had deaf ears. Then, on the steamer coming to Tahiti, a quarter-master expounded socialism to me. He showed me that an economic square deal was necessary before men and women could live naturally. So I dragged anchor once more, and now I am working for the co-operative commonwealth. When that arrives, it will be easy to bring about nature living. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu.

That settled him, for he worried my dreams no more; and it settled me, too, for I woke up chuckling at the episode. It was three in the morning. I went up on deck. Henry, the Rapa islander, was steering. I looked at the log. It recorded forty-two miles. The Snark had not abated her six-knot gait, and she had not struck Futuna yet. At half-past five I was again on deck. Wada, at the wheel, had seen no land. I sat on the cockpit rail, a prey to morbid doubt for a quarter of an hour. Then I saw land, a small, high piece of land, just where it ought to be, rising from the water on the weather-bow. At six o’clock I could clearly make it out to be the beautiful volcanic cone of Futuna. At eight o’clock, when it was abreast, I took its distance by the sextant and found it to be 9.3 miles away. And I had elected to pass it 10 miles away! I confess I thought so, too; but I ran on abreast, watching to see if the line of breakers from one side the entrance did not overlap the line from the other side. Sure enough, it did. A narrow place where the sea ran smooth appeared. Charmian put down the wheel and steadied for the entrance. Martin threw on the engine, while all hands and the cook sprang to take in sail. The parlour of the convent would not open until morning, and surely a delay would annoy Madame, so, in spite of her desire to see the other child, she went home. The maids of the inn were just arising when she reached Pont-l’Eveque.